Daily Archives: December 9th, 2016

"Office Christmas Party" Interview with the filmmakers by Pamela Powell

December 9th, 2016 Posted by Interviews 0 thoughts on “"Office Christmas Party" Interview with the filmmakers by Pamela Powell”

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‘Tis the season to be jolly, and “Office Christmas Party” brings some spicy hilarity to the holidays.

Jason Bateman teams up with Jennifer Aniston once again. Joined by the comedic talents of T.J. Miller (“Silicon Valley”), Kate McKinnon (“Saturday Night Live”), Rob Corddry (“Children’s Hospital”) and Jillian Bell (“22 Jump Street”), among many others, they tell a tale loaded with crazy antics, a bit of raunchiness and, most of all, a story that will make you laugh.

I recently had the chance to sit down and talk with filmmakers Josh Gordon and Will Speck — the American comedy duo behind “Blades of Glory,” “The Switch” and “Culture.”

 Gordon, a Chicago native, and Speck, a Midwesterner with roots in Cleveland, talked with me about filming a Christmas movie in Chicago in April, tips on a successful office Christmas party and how women in film beget more women in film.

READ THE ENTIRE INTERVIEW AS IT APPEARS IN TODAY’S EDITION OF THE DAILY JOURNAL HERE

"Jackie" Gives a new perspective of the First Lady By Pamela Powell

December 9th, 2016 Posted by Review 0 thoughts on “"Jackie" Gives a new perspective of the First Lady By Pamela Powell”

 

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JACKIE

Written by: Noah Oppenheim

Directed by:  Pablo Larrain

Starring:  Natalie Portman, Peter Sarsgaard, and Billy Crudup

Jaqueline Bouvier Kennedy jackie-pinkOnassis has been quoted as saying, “I want to live my life, not record it,” but that isn’t what the public wants as is evidenced by the latest film “Jackie,” starring Natalie Portman as the most admired yet reclusive First Lady.  The film takes us back to that fateful day in Dallas, Texas, with President John F. Kennedy and Jackie, wearing her classically styled pink dress, cropped jacket, and pill box hat, covered in blood as she held her husband’s lifeless body in the back of the motorcade car.  What happened behind the scenes and in the mind and life of Jackie during that traumatic day and the days that followed is recreated in the biopic film, “Jackie.”  This intimate portrayal from a unique perspective gives viewers a new sense of this extraordinary woman .

 WATCH THE MOVIE TRAILER HERE

We meet Jackie soon after her husband’s funeral as she begrudgingly talks with a journalist to document her life as First Lady and what she plans to do next.  Her cold and controlling behavior, while understandable, is contrary to the image held by most Americans of this charismatic, charming and influential woman. She’s condescending in many instances and argumentative,but in the same breath lets down her guard and, in great detail, explains her most intimate feelings about life…and death.  As she recounts the sounds of the gunshots, the trip to the morgue, the flight back to Washington, and the planning of the funeral, we are transported back in time to witness the events from her viewpoint.  The film ingeniously weaves together film footage from the early ’60’s but it is Portman we see, not the First Lady.

 

jackie-white-housePortman, while masterfully mimicking Jackie’s mannerisms and speech, is never quite convincing.  Ironically, there’s a certain Marilyn Monroe-ish breathiness to her voice and a relative lack of visual emotion portrayed.  Perhaps this tone is actually quelled anger, we hear it in her voice, ready to surface, but there seems to be little variation.  Is this how the real Jackie actually was or is this just one actor and director’s portrayal?

 

The story is the main character and that is truly insightful.   The depth of information that we learn about this important family creates a new version of comprehension.  We are allowed behind those closed doors and are privy to the why’s of all that happened.  Jackie’s decisions regarding the funeral are eye-opening as she interacts  with her brother-in-law, Bobby (Peter Sarsgaard), and military personnel to take care of the details of the funeral.   We do find not only empathy for Jackie, but keen insight into her reactions.  She’s smart and she will not be bullied.  She stands up for what is right in her mind and her strength and determination allow her to forge ahead.  It is a much more powerful and intelligent portrayal of this refined and elegant woman.

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Billy Crudup gives an extraordinary performance as the Journalist who attempts to use humor and sympathy to engage Jackie, but her hardened exterior doesn’t melt.  She wants to share and does, but she must and does retain the ultimate control.  Crudup’s nuanced performance is stellar as we see his frustration grow yet maintaining composure.  Gerwig actually dials back her typical quirky persona and creates a believable assistant and best friend to Jackie.  And Caspar Phillipson gives us a spot-on re-creation of John Fitzgerald Kennedy.

 

The element that truly brings this film to life, spectacularly augmenting the script and performances is the melding of old footage and re-creating new footage to feel old.  We watch news clips and programming of Jackie giving the White House Tour and somehow we are seeing the Portman version that feels absolutely real.  The skillful and detailed creation, bringing us back in time, is the icing on the cake.

“Jackie” is a polished piece of history, shedding light upon a topic to give us a greater understanding of one of the most respected presidents in the U.S. and the First Lady.  It’s enlightening and insightful and with unusually creative filming, we are brought back in time to experience Jackie’s life and perspective first-hand.

 

3 1/2 Stars out of 4 (8 Reels out of 10)

An interview with Josh Gordon and Will Speck from "Office Christmas Party" by Pamela Powell

December 9th, 2016 Posted by Uncategorized 0 thoughts on “An interview with Josh Gordon and Will Speck from "Office Christmas Party" by Pamela Powell”

 

 

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Will Speck and Josh Gordon

OFFICE CHRISTMAS PARTY

“Office Christmas Party” has an all-star cast that will let you escape the holiday stresses, make you laugh, and maybe feel a little guilty for laughing at the raunchiness.  But the main thing is that it’s FUN!  I had the absolute pleasure to sit down and talk with Josh Gordon and Will Speck who directed and collaborated in the writing of this high-energy, quick-witted holiday party like no other.  WATCH THE TRAILER HERE

Here’s what they had to say:

PP(Pamela Powell): Don’t judge me yet…but I have to tell you that I wasn’t looking forward to this movie.  I thought it was going to be one of those typical compilation of big names and you’ll never see them interact and it wasn’t!  I had so much fun!

WS (Will Speck):  OH GOOD!  TELL YOUR FRIENDS.  It’s actually a strange one because when we tested it, it was young men 18-24 and women over 35 which is a very interesting and weird spread, and very hard to market to.

JG (Josh Gordon):  But I think the movie has heart which appeals to people, surprises people.

WS:  And we tried to make them real people that have real relationships.  I think that’s what people like about the movie is that it’s not just a bunch of jokes strung together.

PP:  It was funny! And silly!

JG:  I’m glad your night wasn’t as terrible as you thought it was going to be!

PP:  Absolutely not!  In last night’s Q&A, you said that this movie idea was yours.  Since you pitched this movie, you must have collaboration with the writing even though you are credited solely as the directors.  How much collaboration was there?

WS:  There’s a lot…I think in this case, we had a very firm idea about what kind of movie we wanted this to be and feel like.  I think the thing that was challenging was finding a story in it.   So we went a couple rounds with different writers to try to shape how much plot versus how much character…we didn’t just want it to be… all about plot… like we have to find a microchip at the party,

JG: and suddenly that takes over the story.   We wanted the party to be the engine and so you have to have a very light plot line that always forces the story front and center, the party front and center.  It was a process.

WS:  We collaborated at each stage with each writer; there were a few of them.  We feel like we ended up with a good balance between character and plot…There’s something where they have to save the company, there’s a way that they do it, but it’s light enough that it creates a framework for all those characters to have each of their moments.

PP:  I loved that the gender roles were reversed!  Jennifer Anniston is the powerhouse, Olivia Munn is the brilliant tech, and then Kate McKinnon is farting at a meeting.  These are typically guy types of roles.

WS:  Don’t forget the pimp Julian Bell!

PP:  That’s right!  She was great!  Another powerhouse!

JG:  We worked very hard [so] that the movie felt balanced  and that we were subverting some of the expectations.

WS:  One of them that was difficult was the idea of a prostitute and pimp because A, you’ve seen that a million times B, it feels like a movie contrivance, those roles, and so Josh and I came [up with] this idea that we should make her a female pimp.

JG: With anxiety issues!

WS:  But I think like Josh said, we tried to balance it and subvert the expected.

JG:  And I think that we also are benefitting from people offering women better roles and women proving that they are amazing and funny and can cary movies and now we were able to pick from a lot of very talented women

WS:  It’s funny, we sort of forgot that because it wasn’t “agendized.”  It was also just like great people for each role, but there were definitely moments where we would be in a scene and it would be  Jason and 6 women and we were like,  Wow!  This is a totally female-centered movie.

JG:  We’re being really modern!

WS:  When they go out to find TJ, it’s really Jason, Olivia, Jennifer, and Kate.  So he’s kind of odd man out and it’s usually the reverse of that.

PP:  He’s the insecure, meek, demure person and that’s usually the female’s role.

WS:  He’s got the girl role!

PP:  Maybe that’s why it’s appealing to females 35 and older.  Tell me about filming in Chicago as  many years ago you won awards for your short films at the Chicago International Film Festival.  Were you here for that?

JG:  We came for that.  We’ve always loved Chicago.  My family’s from Chicago.  My mom was born here.

WS:  I’m from Cleveland, so we’re both from the Midwest.

JG:  We have an affinity for the city.  For us, we grew up loving the same movies and a lot of them were shot in Chicago.  We loved “Risky Business,” we loved the “Blues Brothers,” we loved “Planes, Trains and Automobiles,” and so there’s a character to this city, there’s a tone to the comedy of this city that really appeals to us. Even Second City is a big seminal thing for us.  If you’re picking a big midwest city, where you want your underdog company to be set, Chicago is just a natural place  for us and we were thrilled when the studio allowed us to shoot here because it’s slightly more expensive, but  worth it cinematically because it’s such a beautiful city.

PP:  What did your stars think about filming in Chicago in the winter?

WS:  They were actually thrilled.  I mean the thing about LA is you get really sick of sunshine and 70’s.

PP:  (eye roll) Oh, please.

WS:   No, for real!  It’s like you guys with cold.  I think for all of us we were just excited to be in a place that felt like winter.  It was April when we got here so it was winter/spring, but we got  lucky and had snow fall twice when we were on our exteriors.

JG:  Chicago wanted us to shoot here.

WS:  When we were on the set and we were shooting and it started snowing, the crew was like, this is the first time it’s snowed in a month.  It was a Christmas miracle.  When they’re crossing the bridge in the first act, and it’s snowing, it’s the real deal.

PP:  You had talked last night about having a lot of improvisational or alternative lines that were filmed.  Were any of those lines kept in the film?

WS:  Yeah!  A bunch of them!  The Uber scene, that was written on that day.  Fortune Feimster who’s an amazing talent who you’ll know a lot more about after this movie comes out because this was her very first on-screen appearance.  [She] came up with stuff on the fly.

JG:  A lot of Kate Mc Kinnon’s stage performance is just Kate being brilliant.

PP:  Maintaining that high energy level throughout film  had to have been tough.  How many days did you film?

WS:  We shot for 43 days…

PP:  That’s a lot of energy

JG:  That’s a lot of partying!

PP:  You had to have been exhausted

WS:  We were.  We still are!  It was “fast and furious!”

JG:  We just finished the movie two weeks ago!

WS:  It’s been a marathon.

PP:  What was the most fun scene to film?

WS:  There are things that you imagine in your mind…  We thought Oh!  What if you have an eggnog luge.  We thought that would be a weird thing that we’d never seen before and we came up with that in our imagination…that was really fun to see that up on its feet.

JG:  And it was great to see Jason go for it!

PP:  Yes he did!

WS:  The mayhem where things really fell apart where the cast had left…we had a few days in Atlanta…

JG:  Jesus riding the horse…

WS:  …really to wreck the set, that was really fun to do that.

JG:  We really had spent a lot of time designing the set in order to destroy it was kind of fun as filmmakers.

PP:  You had an amazing cast of comedians in this film.  Are there any comedic actors that you haven’t worked with that you would really love to?

WS:  I think Emma Stone is somebody who we love, who we’ve always wanted to work with. Chris Pratt we love…I think Meryl Streep because she’s funny and dramatic.   But I think this cast and this ensemble definitely checked a bunch of boxes of people we’ve always wanted to work with who we just literally offered the role  and are in the movie.

PP:  How did that work?  Did you have Jennifer Anniston on first and the rest just snowballed?

WS:  We have relationships with Jennifer and Jason.  We convinced and pushed to get TJ in the lead role.

JG:  Kate signed on early.

WS:  Those were our foundations and the snow just kept rolling down the hill, picking up more people as we went.

JG:  People want to play when it seems like it’s going to be a fun thing.

PP:  One last question.  I have to plan my husband’s office christmas party.  What should I do?

WS:  I think you should go on line.  Do you have access to internet?  You should go online to either Fandango or  MovieTickets.com and I think you should get them all to go to “Office Christmas Party” the movie.

JG:  Because nothing puts you in the right mood more than “Office Christmas Party.”

WS:  And it’s also gonna be cheaper than throwing a party with bad catering.  Make sure you have music, good lighting.  I think those two things are the key to any party and a little bit of danger and make sure everyone has their phones off.

PP:  I need to find out where you guys ordered your ice sculpture luge!

JG:  We should open up a whole service!

“Office Christmas Party” opens nationwide December 9th.  While I had a lot of fun watching this film, there’s profanity, drug use, and nudity so it’s not for everyone.

And to everyone at the Oral Surgery Center, I found an ice sculpture eggnog luge!  Cheers!

 

 

 

 

 

 

 

 

 

 

"Miss Sloane" a formidable female film by Pamela Powell

December 9th, 2016 Posted by Review 0 thoughts on “"Miss Sloane" a formidable female film by Pamela Powell”

 

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MISS SLOANE

Written by:  Jonathan Perera

Directed by:  John Madden

Starring:  Jessica Chastain, Gugu Mbatha-Raw, Sam Waterston, and John Lithgow

Amy Adams (“Arrival”), Helen Mirren (“Eye in the Sky”), and Jessica Chastain are proving to the movie-going world that female leads can be powerful, smart and strong.  Chastain’s newest film, “Miss Sloane,” portrays a formidable lobbyist taking on gun control on Capitol Hmiss-sloane-movie-1ill.  She’s ruthlessly brilliant yet this style has consequences as she defends herself at a Senate Ethics Hearing.  “Miss Sloane” takes us on this fictional journey, behind the scenes of political games and lobbying.  It’s a fast-paced, high powered film that is riveting and intelligent.

WATCH THE TRAILER HERE

While this is a fictional tale, the bullet-points it focuses upon seem very real and plausible. How do lobbyists work and fight for what they want?  Are our representatives truly representing the voters’ interests or their own?  Corruption is at the heart of this film and “Miss Sloane” splays open the belly of the political body, void of apparent common sense, for all to see.

Sloan (Chastain) isn’t intimidated by anyone as she has learned to always “stay one step ahead” of her competitors and have a trump card ready.  Her tactics sound much like a jaguar ready to pounce on its prey, unexpectedly.  Her ruthlessness has consequences, however, and when she is hired by Rodolfo Schmidt (Mark Strong) to lobby for gun control, she crosses the line.  Leaving Dupont’s (Waterston) firm and taking a small band of allies with her, Sloane takes us to a dark part of politics where morals andmissloae values are forgotten, but results are obtained.  The fallout is the American public and those closest to her.

Chastain is absolutely remarkable in this role as a cutthroat and brilliant lobbyist.  She commands your attention on the screen and you obey, much like the rest of the cast reacts in the film.  The dialogue and information conveyed is just as commanding as you must pay attention to every quick quip, remark, and reaction.  Not a word is uttered without significant meaning.  Everything about the script is clean, crisp, sharp and full of passion and energy.  The characters portrayed run the gamut from moralistically true to completely corrupt and everything in between.  Sloan’s emotional victims, particularly Esme Manucharian (Gugu Mbatha-Raw), capture your heart and take your breath away.

Waterston brings his familiar mastery of authoritarian roles to give us “George Dupont.”  His strength and confidence are matched only by Chastain’s dominant performance.  Strong (Schmidt) is a sheer pleasure as he brings a sense of normalcy to the table and Jake Lacy is perfectly cast as the southern escort.  Pill seems to be type-cast in her role as submissive assistant, but there is a reason formisssloane type-casting—she’s perfect at it.  The variety of roles and the ensemble cast give the viewer quite a treat.  Mbatha-Raw’s understated, yet realistic performance grounds the film.

Pacing and editing are key in “Miss Sloane” as these two factors allow for the high-energy and intensity that keep you glued to the screen.  I gave it my best shot “to stay one step ahead,” but alas I didn’t see the plot twists ahead, making this film even more fun to watch.  On the down side, I’m afraid this fictional tale isn’t so fictional, but in fact, quite factual as to what happens on Capitol Hill with lobbyists.

“Miss Sloane” gives us an entertaining and thrilling drama with a convincingly strong and skillful lead performance from Chastain.  The unexpected twists and turns will have you on the edge of your seat as you witness the fallout.  Chastain is proving, along with Adams, Mirren, and many others, that women can carry the lead and succeed.  Thank you to writer Jonathan Perera and Director John Madden for providing this female driven film!

3 1/2 out of 4 Stars

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